{"id":422,"date":"2020-05-04T02:07:03","date_gmt":"2020-05-04T02:07:03","guid":{"rendered":"https:\/\/expo.calarts.edu\/2020\/?page_id=422"},"modified":"2020-05-14T02:32:38","modified_gmt":"2020-05-14T02:32:38","slug":"adam-zuckerman","status":"publish","type":"page","link":"https:\/\/expo.calarts.edu\/2020\/adam-zuckerman\/","title":{"rendered":"Adam Zuckerman"},"content":{"rendered":"<div id=\"pl-422\"  class=\"panel-layout\" ><div id=\"pg-422-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-422-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-422-0-0-0\" class=\"so-panel widget widget_headline-widget panel-first-child panel-last-child\" data-index=\"0\" >\t\t<h1>Adam Zuckerman<\/h1>\n\t\t<div class=\"decoration\"><div class=\"decoration-inside\"><\/div><\/div>\n\t\t<h3>MFA 1 - Music <\/h3>\n\t\t<\/div><\/div><\/div><div id=\"pg-422-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-422-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-422-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t><h3 class=\"widget-title\">Starpermeable<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div>A collection of melodies.<\/div>\n<div>Embedded like a small light in the corner.<\/div>\n<div>This piece engages themes and processes of transparency\/translucence, copying\/covering, and distance\/absence: the traces of a thing not there.<\/div>\n<div>Melody fragments expand and contract. Here, melody crystallizes into harmony and harmony unfolds as melody.<\/div>\n<div>Like a constellation of stars; or in the direction of a tree.<\/div>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-422-1-1\"  class=\"panel-grid-cell\" ><div id=\"panel-422-1-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><iframe data-src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/810717715&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true\" width=\"100%\" height=\"300\" frameborder=\"no\" scrolling=\"no\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-422-2\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-422-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-422-2-0-0\" class=\"so-panel widget widget_siteorigin-panels-builder panel-first-child panel-last-child\" data-index=\"3\" ><div id=\"pl-w5eb701f5f332e\"  class=\"panel-layout\" ><div id=\"pg-w5eb701f5f332e-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-w5eb701f5f332e-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w5eb701f5f332e-0-0-0\" class=\"so-panel widget widget_siteorigin-panels-postloop panel-first-child panel-last-child\" data-index=\"0\" >\n\t<div id=\"vantage-grid-loop\" class=\"vantage-grid-loop grid-loop-columns-4\">\n\t\t\t\t\t<article class=\"grid-post post-749 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/xiaoyun-zeng\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/xiaoyun-zeng\/\">Xiaoyun Zeng<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Dance Machine This project aims to discuss what&#8217;s the function of space, to explore the relationship between objects&#8217; physical movements and spatial configuration in a different way, and to consider how we search\/use\/limit\/share the space for a different purpose. The artist takes a dynamic sculpture approach to investigate the realm between visible the invisible. The [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-654 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/pierre-emmanuel-mariaca\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/pierre-emmanuel-mariaca\/\">Pierre Emmanuel Mariaca<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>The Net and the Self &#8220;The Net and the Self is an interactive music and dance installation mirroring our networked society. The audience enter in a room illuminated by UV blacklights where dancers and musicians interact through an amplified harp that has its strings connected with fluorescent fishing lines attached to the walls. The installation [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-600 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/joanna-keler\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/joanna-keler\/\">Joanna Keler<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>DEEP INSIDE &#8220;CalArts. A game-changer in the education of professional artists. CalArts. Grounded in openness, experimentation, critical engagement, and creative freedom. CalArts. Transform ourselves, each other, and the world. Let\u2019s go, stranger I\u2019ll show you CalArts. From outside to inside. To all our concerns, frustration, and alienation. To all what will always stay in counselor\u2019s [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-410 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/adam-peltier\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/adam-peltier\/\">Adam Peltier<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>home movies &#8220;sometimes i wish i was a woman, just so i could have an abortion&#8221; &#8211; john waters Connor Linnerooth &quot;Lords and Ringz&quot; &#8211; Last Week&#039;s Weather Tonight A celebrity guest and phone calls. What could go wrong? two jokes joke + joke = jokes<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t\t\t<article class=\"grid-post post-1256 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/morgan-ogilvie\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/morgan-ogilvie\/\">Morgan Ogilvie<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>This is no dream<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-778 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/luka-fisher\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/luka-fisher\/\">Luka Fisher<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>No Time For Names is a 51 minute score created in Spring 2020 by artists Rissa Dee, Luka Fisher, Jung A. Jung, Peter Kalisch, M-Other, Kyler O&#8217;Neal, Ritual Spirit, Danielle Roz, and Christina Elaine Vasquez and arranged by Luka Fisher and her garage band. Collaborators: Rissa Dee, Luka Fisher, Jung A. Jung, Peter Kalisch, M-Other, [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-440 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/bo-li\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/bo-li\/\">Bo Li<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>From 1942 to 2020 Why are you making this piece? Since the beginning of the epidemic, I have followed the notice from the local authority to stay at home and stay alive. Since the food\u00a0in my\u00a0house\u00a0has become thinner recently, I have to go out to hunt. Firstly, I found that I was completely expired, so [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-578 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/jeremy-rosenstock\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/jeremy-rosenstock\/\">Jeremy Rosenstock<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>This is a text setting of excerpts from &#8220;Notes on the Cinematograph&#8221; and &#8220;Au Hasard Balthazar&#8221; by Robert Bresson. The work is composed for speaking pianist.<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t<\/div>\n\n\t\t\t<nav id=\"nav-below\" class=\"site-navigation paging-navigation\">\n\t\t\t<h2 class=\"assistive-text\">Post navigation<\/h2>\n\n\t\t\t<div class='pagination'><span aria-current=\"page\" class=\"page-numbers current\">1<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/422\/page\/2\/\">2<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/422\/page\/3\/\">3<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/422\/page\/4\/\">4<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/422\/page\/5\/\">5<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/422\/page\/6\/\">6<\/a>\n<span class=\"page-numbers dots\">&hellip;<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/422\/page\/12\/\">12<\/a>\n<a class=\"next page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/422\/page\/2\/\">Next &raquo;<\/a><\/div>\n\n\t\t<\/nav><!-- #nav-below -->\n\t\t<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>This is a text setting of excerpts from &#8220;Notes on the Cinematograph&#8221; and &#8220;Au Hasard Balthazar&#8221; by Robert Bresson. The work is composed for speaking pianist.<\/p>\n","protected":false},"author":3,"featured_media":1335,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"disable_featured_image":false,"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Adam Zuckerman - CalArts Expo 2020<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expo.calarts.edu\/2020\/adam-zuckerman\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Adam Zuckerman - CalArts Expo 2020\" \/>\n<meta property=\"og:description\" content=\"This is a text setting of excerpts from &quot;Notes on the Cinematograph&quot; and &quot;Au Hasard Balthazar&quot; by Robert Bresson. 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