{"id":1857,"date":"2020-05-10T18:02:37","date_gmt":"2020-05-10T18:02:37","guid":{"rendered":"https:\/\/expo.calarts.edu\/2020\/?page_id=1857"},"modified":"2020-05-10T18:04:26","modified_gmt":"2020-05-10T18:04:26","slug":"gabi-galloway","status":"publish","type":"page","link":"https:\/\/expo.calarts.edu\/2020\/gabi-galloway\/","title":{"rendered":"Gabi Galloway"},"content":{"rendered":"<div id=\"pl-1857\"  class=\"panel-layout\" ><div id=\"pg-1857-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-1857-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-1857-0-0-0\" class=\"so-panel widget widget_headline-widget panel-first-child panel-last-child\" data-index=\"0\" >\t\t<h1>Gabi Galloway<\/h1>\n\t\t<div class=\"decoration\"><div class=\"decoration-inside\"><\/div><\/div>\n\t\t<h3>BFA 3 - Theatre<\/h3>\n\t\t<\/div><\/div><\/div><div id=\"pg-1857-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-1857-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-1857-1-0-0\" class=\"so-panel widget widget_siteorigin-panels-builder panel-first-child panel-last-child\" data-index=\"1\" ><div id=\"pl-w5eb8422a3d940\"  class=\"panel-layout\" ><div id=\"pg-w5eb8422a3d940-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-w5eb8422a3d940-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w5eb8422a3d940-0-0-0\" class=\"so-panel widget widget_siteorigin-panels-builder panel-first-child panel-last-child\" data-index=\"0\" ><div id=\"pl-w5eb8422a3d99d\"  class=\"panel-layout\" ><div id=\"pg-w5eb8422a3d99d-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-w5eb8422a3d99d-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w5eb8422a3d99d-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t><h3 class=\"widget-title\">Lysol<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>This piece is a reflection on what I learned in Mike Bryant's Sex and Death class in regard to feminine hygiene being rooted in sexism and how this can explain why we continue to view contraception, abortion and child care as women\u2019s burden. In the world of sex post-Comstock laws, Lysol was being advertised as effective contraception\/douching product and it led to 193 cases of poisoning and 5 deaths.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-w5eb8422a3d99d-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-w5eb8422a3d99d-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><iframe width=\"560\" height=\"315\" data-src=\"https:\/\/www.youtube.com\/embed\/VSriRYdiKe4\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-1857-2\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-1857-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-1857-2-0-0\" class=\"so-panel widget widget_siteorigin-panels-postloop panel-first-child panel-last-child\" data-index=\"2\" >\n\t<div id=\"vantage-grid-loop\" class=\"vantage-grid-loop grid-loop-columns-4\">\n\t\t\t\t\t<article class=\"grid-post post-700 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/kelon-cen\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/kelon-cen\/\">Kelon Cen<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Doppelganger &#8211; Symbiosis Doppelg\u00e4nger IV &#8211; Symbiosis (2020) is a composed theatre project exploring the concept of human-machine symbiosis. It\u2019s an immersive multimedia experience that consists of projection mappings, spatialized sound, interactive sculpture, and performance art. Symbiosis is part of the Doppelg\u00e4nger research project by IMUU that explores the human condition in a futuristic dystopia [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-537 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/gabriela-padilla\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/gabriela-padilla\/\">Gabriela Padilla<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>TW\/CW: abuse, violence, suicide This song is about overcoming depression and suicide awareness through hope. &nbsp;<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-724 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/socks-whitmore\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/socks-whitmore\/\">Socks Whitmore<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Quarantine Acoustics When Jacob&#8217;s estranged sister Ashley asks him to reprise a role from his past, the two must come to terms with their relationship to his younger &#8216;female&#8217; self in order to save their own. &#8220;Pass&#8221; is a queer one act musical in development. It had a staged reading on January 26, 2020 in [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-467 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/charles-danner\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/charles-danner\/\">Charles Danner<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>TW\/CW: trauma **Trigger Warning** This is a multimedia piece about the experience of being a victim of trauma in the current COVID-19 climate. The piece consists of original poetry written and performed by Nicole Paige Chaffin over an original score by Charles Van Alst Danner. The score features a custom feedback instrument, the FeedBox in [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t\t\t<article class=\"grid-post post-571 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/flenoit-webster\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/flenoit-webster\/\">Flenoit Webster<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>calvery xp faith in the 21st century and a look at the possible events- there is a chamber of people found in a basement of a prison who have been there since the late 1900&#8217;s suddenly an execution order has been created for all 144&#8217;000 souls and NOW an agent from the feds is investigating [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-395 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/katherine-shea\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/katherine-shea\/\">Katherine Shea<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Georgie Romero Is Done For A horror comedy audio drama podcast. Georgie Romero, a zombie, has risen from the grave, driven to solve the mystery of her former human life with the help of an inept witch and a cynical ghost. Rachel Greenberg, producer\/co-writer\/co-producer Socks Whitmore, producer\/lead actor Evan Johnson, composer\/sound engineer Elliot Yokum, sound [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-788 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/joana-p-cardozo\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/joana-p-cardozo\/\">Joana P. Cardozo<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>The Naked Hours For 100 hours, I cut 2 x 2 inches black paper with scissors and covered the L-Shape Gallery walls at the California Institute of the Arts. I did not speak. I did not use a cell phone or other electronics. I ate, rested, wrote, and meditated as necessary. I left the gallery [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-806 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/robert-steven-nover\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/robert-steven-nover\/\">Robert Steven Nover<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>The Fabric Of Our Country This is the start of a new project combining my photography with digital painting. &#8220;The Fabric Of Our Country_#1, #2 &amp; #3&#8243;, March 2020, 13&#8243; x 19&#8221; dye print on Hahnemuhle Fine Art Baryta Satin paper. &nbsp;<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t<\/div>\n\n\t\t\t<nav id=\"nav-below\" class=\"site-navigation paging-navigation\">\n\t\t\t<h2 class=\"assistive-text\">Post navigation<\/h2>\n\n\t\t\t<div class='pagination'><span aria-current=\"page\" class=\"page-numbers current\">1<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1857\/page\/2\/\">2<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1857\/page\/3\/\">3<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1857\/page\/4\/\">4<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1857\/page\/5\/\">5<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1857\/page\/6\/\">6<\/a>\n<span class=\"page-numbers dots\">&hellip;<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1857\/page\/12\/\">12<\/a>\n<a class=\"next page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1857\/page\/2\/\">Next &raquo;<\/a><\/div>\n\n\t\t<\/nav><!-- #nav-below -->\n\t\t<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Lysol This piece is a reflection on what I learned in Mike Bryant&#8217;s Sex and Death class in regard to feminine hygiene being rooted in sexism and how this can explain why we continue to view contraception, abortion and child care as women\u2019s burden. In the world of sex post-Comstock laws, Lysol was being advertised [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1860,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"disable_featured_image":false,"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Gabi Galloway - CalArts Expo 2020<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expo.calarts.edu\/2020\/gabi-galloway\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gabi Galloway - CalArts Expo 2020\" \/>\n<meta property=\"og:description\" content=\"Lysol This piece is a reflection on what I learned in Mike Bryant&#8217;s Sex and Death class in regard to feminine hygiene being rooted in sexism and how this can explain why we continue to view contraception, abortion and child care as women\u2019s burden. 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