{"id":1857,"date":"2020-05-10T18:02:37","date_gmt":"2020-05-10T18:02:37","guid":{"rendered":"https:\/\/expo.calarts.edu\/2020\/?page_id=1857"},"modified":"2020-05-10T18:04:26","modified_gmt":"2020-05-10T18:04:26","slug":"gabi-galloway","status":"publish","type":"page","link":"https:\/\/expo.calarts.edu\/2020\/gabi-galloway\/","title":{"rendered":"Gabi Galloway"},"content":{"rendered":"<div id=\"pl-1857\"  class=\"panel-layout\" ><div id=\"pg-1857-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-1857-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-1857-0-0-0\" class=\"so-panel widget widget_headline-widget panel-first-child panel-last-child\" data-index=\"0\" >\t\t<h1>Gabi Galloway<\/h1>\n\t\t<div class=\"decoration\"><div class=\"decoration-inside\"><\/div><\/div>\n\t\t<h3>BFA 3 - Theatre<\/h3>\n\t\t<\/div><\/div><\/div><div id=\"pg-1857-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-1857-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-1857-1-0-0\" class=\"so-panel widget widget_siteorigin-panels-builder panel-first-child panel-last-child\" data-index=\"1\" ><div id=\"pl-w5eb8422a3d940\"  class=\"panel-layout\" ><div id=\"pg-w5eb8422a3d940-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-w5eb8422a3d940-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w5eb8422a3d940-0-0-0\" class=\"so-panel widget widget_siteorigin-panels-builder panel-first-child panel-last-child\" data-index=\"0\" ><div id=\"pl-w5eb8422a3d99d\"  class=\"panel-layout\" ><div id=\"pg-w5eb8422a3d99d-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-w5eb8422a3d99d-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w5eb8422a3d99d-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t><h3 class=\"widget-title\">Lysol<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>This piece is a reflection on what I learned in Mike Bryant's Sex and Death class in regard to feminine hygiene being rooted in sexism and how this can explain why we continue to view contraception, abortion and child care as women\u2019s burden. In the world of sex post-Comstock laws, Lysol was being advertised as effective contraception\/douching product and it led to 193 cases of poisoning and 5 deaths.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-w5eb8422a3d99d-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-w5eb8422a3d99d-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><iframe width=\"560\" height=\"315\" data-src=\"https:\/\/www.youtube.com\/embed\/VSriRYdiKe4\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-1857-2\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-1857-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-1857-2-0-0\" class=\"so-panel widget widget_siteorigin-panels-postloop panel-first-child panel-last-child\" data-index=\"2\" >\n\t<div id=\"vantage-grid-loop\" class=\"vantage-grid-loop grid-loop-columns-4\">\n\t\t\t\t\t<article class=\"grid-post post-724 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/socks-whitmore\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/socks-whitmore\/\">Socks Whitmore<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Quarantine Acoustics When Jacob&#8217;s estranged sister Ashley asks him to reprise a role from his past, the two must come to terms with their relationship to his younger &#8216;female&#8217; self in order to save their own. &#8220;Pass&#8221; is a queer one act musical in development. It had a staged reading on January 26, 2020 in [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-741 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/vanessa-kwan\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/vanessa-kwan\/\">Vanessa Kwan<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Ernestine and Delilah Ernestine and Delilah navigate their love in an apocalyptic world. Collaborators: Claire Brnjac https:\/\/vanessakwan.art\/<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-823 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/moon-wang\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/moon-wang\/\">Moon Wang<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>I miss my three boyfriends This is a series of posters we made based on a girl who have mental illness and have lived in the hospital for 34 years.<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-778 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/luka-fisher\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/luka-fisher\/\">Luka Fisher<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>No Time For Names is a 51 minute score created in Spring 2020 by artists Rissa Dee, Luka Fisher, Jung A. Jung, Peter Kalisch, M-Other, Kyler O&#8217;Neal, Ritual Spirit, Danielle Roz, and Christina Elaine Vasquez and arranged by Luka Fisher and her garage band. Collaborators: Rissa Dee, Luka Fisher, Jung A. Jung, Peter Kalisch, M-Other, [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t\t\t<article class=\"grid-post post-667 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/mengqing-yuan\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/mengqing-yuan\/\">Mengqing Yuan<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>B-body &#8220;My B-body&#8221; is a project I created during home quarantine. It is based on a poem I wrote about the relationship between my physical body and my consciousness. The text of the poem reads: My B-body My body doesn\u2019t belong to me It wants to be free It wants to come apart It wants [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-697 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/max-jaffe\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/max-jaffe\/\">Max Jaffe<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>The SOFT Glass &#8220;The S.O.F.T. (Sonification Of Flowing Temporality) Glass is an hourglass that makes and manipulates sound. In its final form, it will be a sculptural object that can double as a musical instrument, based on the simple and enduring timekeeping device dating back at least to the 16th century BC. Utilizing a variety [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-1256 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/morgan-ogilvie\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/morgan-ogilvie\/\">Morgan Ogilvie<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>This is no dream<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-729 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/sven-golden\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/sven-golden\/\">Sven Golden<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Blake The Sorcerer Blake The Sorcerer is a recently released album of original piano solo pieces with different moods and subjects Fortune Freeway &#8211;<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t<\/div>\n\n\t\t\t<nav id=\"nav-below\" class=\"site-navigation paging-navigation\">\n\t\t\t<h2 class=\"assistive-text\">Post navigation<\/h2>\n\n\t\t\t<div class='pagination'><span aria-current=\"page\" class=\"page-numbers current\">1<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1857\/page\/2\/\">2<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1857\/page\/3\/\">3<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1857\/page\/4\/\">4<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1857\/page\/5\/\">5<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1857\/page\/6\/\">6<\/a>\n<span class=\"page-numbers dots\">&hellip;<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1857\/page\/12\/\">12<\/a>\n<a class=\"next page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1857\/page\/2\/\">Next &raquo;<\/a><\/div>\n\n\t\t<\/nav><!-- #nav-below -->\n\t\t<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Lysol This piece is a reflection on what I learned in Mike Bryant&#8217;s Sex and Death class in regard to feminine hygiene being rooted in sexism and how this can explain why we continue to view contraception, abortion and child care as women\u2019s burden. In the world of sex post-Comstock laws, Lysol was being advertised [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1860,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"disable_featured_image":false,"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Gabi Galloway - CalArts Expo 2020<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expo.calarts.edu\/2020\/gabi-galloway\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gabi Galloway - CalArts Expo 2020\" \/>\n<meta property=\"og:description\" content=\"Lysol This piece is a reflection on what I learned in Mike Bryant&#8217;s Sex and Death class in regard to feminine hygiene being rooted in sexism and how this can explain why we continue to view contraception, abortion and child care as women\u2019s burden. 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