{"id":1857,"date":"2020-05-10T18:02:37","date_gmt":"2020-05-10T18:02:37","guid":{"rendered":"https:\/\/expo.calarts.edu\/2020\/?page_id=1857"},"modified":"2020-05-10T18:04:26","modified_gmt":"2020-05-10T18:04:26","slug":"gabi-galloway","status":"publish","type":"page","link":"https:\/\/expo.calarts.edu\/2020\/gabi-galloway\/","title":{"rendered":"Gabi Galloway"},"content":{"rendered":"<div id=\"pl-1857\"  class=\"panel-layout\" ><div id=\"pg-1857-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-1857-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-1857-0-0-0\" class=\"so-panel widget widget_headline-widget panel-first-child panel-last-child\" data-index=\"0\" >\t\t<h1>Gabi Galloway<\/h1>\n\t\t<div class=\"decoration\"><div class=\"decoration-inside\"><\/div><\/div>\n\t\t<h3>BFA 3 - Theatre<\/h3>\n\t\t<\/div><\/div><\/div><div id=\"pg-1857-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-1857-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-1857-1-0-0\" class=\"so-panel widget widget_siteorigin-panels-builder panel-first-child panel-last-child\" data-index=\"1\" ><div id=\"pl-w5eb8422a3d940\"  class=\"panel-layout\" ><div id=\"pg-w5eb8422a3d940-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-w5eb8422a3d940-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w5eb8422a3d940-0-0-0\" class=\"so-panel widget widget_siteorigin-panels-builder panel-first-child panel-last-child\" data-index=\"0\" ><div id=\"pl-w5eb8422a3d99d\"  class=\"panel-layout\" ><div id=\"pg-w5eb8422a3d99d-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-w5eb8422a3d99d-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-w5eb8422a3d99d-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t><h3 class=\"widget-title\">Lysol<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>This piece is a reflection on what I learned in Mike Bryant's Sex and Death class in regard to feminine hygiene being rooted in sexism and how this can explain why we continue to view contraception, abortion and child care as women\u2019s burden. In the world of sex post-Comstock laws, Lysol was being advertised as effective contraception\/douching product and it led to 193 cases of poisoning and 5 deaths.<\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-w5eb8422a3d99d-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-w5eb8422a3d99d-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><iframe width=\"560\" height=\"315\" data-src=\"https:\/\/www.youtube.com\/embed\/VSriRYdiKe4\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div id=\"pg-1857-2\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-1857-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-1857-2-0-0\" class=\"so-panel widget widget_siteorigin-panels-postloop panel-first-child panel-last-child\" data-index=\"2\" >\n\t<div id=\"vantage-grid-loop\" class=\"vantage-grid-loop grid-loop-columns-4\">\n\t\t\t\t\t<article class=\"grid-post post-474 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/christine-lee\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/christine-lee\/\">Christine Lee<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Happy Headroom \u201cHappy Headroom\u201d was part of my mid-residency show titled \u201cLiving Threads\u201d in February 2020. The immersive installation consisted of 4-channel video and sculptures. In this video, my mom and I perform rituals as a visceral process to create a dialogue between changing states of self and site. Hair, simultaneously dead and living, functions [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-427 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/alex-cerutti\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/alex-cerutti\/\">Alex Cerutti<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Change The Game Change The Game is a creative exploration focused on being free, experimental, and self expressive \u2014 there are no limits. changethegame.studio<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-717 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/shaharoh-chism\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/shaharoh-chism\/\">Shaharoh Chism<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Crazy For You Crazy For You performed by Shaharoh and her band In Lieu Of. www.shaharoh.com Band: Brian Farst, David Howard and Ben Ochieng<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-566 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/fallon-williams\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/fallon-williams\/\">Fallon Williams<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Originally located on the back wall of the MOD, IRIS was a 3-dimensional automated aperture that opened to about 17-ft in diameter to reveal a lit cyclorama in its opening. For the Virtual Campus, we will be modeling the iris in 3D software, then using lighting software to create various lighting looks. Christian Mejia (MFA2, [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t\t\t<article class=\"grid-post post-756 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/usha-venkat\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/usha-venkat\/\">Usha Venkat<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Radical Practice Radical Practice is a series of podcast conversations between CalArts Graphic Design Program alumnae and current students. Each episode features an alumna with a distinct professional practice, including BFAs and MFAs whose endeavors range from cultural to corporate and from singular enterprises to ambitious ideas. We\u2019ll discuss how they have defined success for [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-737 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/tristan-kilmer\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/tristan-kilmer\/\">Tristan Kilmer<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Genesis A clone decides she wants to be more than just another face in the crowd. Collaborators: Roy Berardo, Karen Tanaka, Brian Morones, MSmitherman, Madi Thoele, Samantha Norrie https:\/\/www.artstation.com\/tristan_kilmer<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-467 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/charles-danner\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/charles-danner\/\">Charles Danner<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>TW\/CW: trauma **Trigger Warning** This is a multimedia piece about the experience of being a victim of trauma in the current COVID-19 climate. The piece consists of original poetry written and performed by Nicole Paige Chaffin over an original score by Charles Van Alst Danner. The score features a custom feedback instrument, the FeedBox in [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-618 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/madison-hicks\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/madison-hicks\/\">Madison Hicks<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Still Growing &#8220;Still Growing&#8221; is a short solo created in the restrictions of my home surrounded around a stool. It is a study on time and growth, striving to show that we are &#8220;still growing&#8221; in this time of quarantine.<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t<\/div>\n\n\t\t\t<nav id=\"nav-below\" class=\"site-navigation paging-navigation\">\n\t\t\t<h2 class=\"assistive-text\">Post navigation<\/h2>\n\n\t\t\t<div class='pagination'><span aria-current=\"page\" class=\"page-numbers current\">1<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1857\/page\/2\/\">2<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1857\/page\/3\/\">3<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1857\/page\/4\/\">4<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1857\/page\/5\/\">5<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1857\/page\/6\/\">6<\/a>\n<span class=\"page-numbers dots\">&hellip;<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1857\/page\/12\/\">12<\/a>\n<a class=\"next page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1857\/page\/2\/\">Next &raquo;<\/a><\/div>\n\n\t\t<\/nav><!-- #nav-below -->\n\t\t<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Lysol This piece is a reflection on what I learned in Mike Bryant&#8217;s Sex and Death class in regard to feminine hygiene being rooted in sexism and how this can explain why we continue to view contraception, abortion and child care as women\u2019s burden. In the world of sex post-Comstock laws, Lysol was being advertised [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1860,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"disable_featured_image":false,"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Gabi Galloway - CalArts Expo 2020<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expo.calarts.edu\/2020\/gabi-galloway\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gabi Galloway - CalArts Expo 2020\" \/>\n<meta property=\"og:description\" content=\"Lysol This piece is a reflection on what I learned in Mike Bryant&#8217;s Sex and Death class in regard to feminine hygiene being rooted in sexism and how this can explain why we continue to view contraception, abortion and child care as women\u2019s burden. 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