{"id":1256,"date":"2020-05-08T20:57:24","date_gmt":"2020-05-08T20:57:24","guid":{"rendered":"https:\/\/expo.calarts.edu\/2020\/?page_id=1256"},"modified":"2020-05-09T18:41:23","modified_gmt":"2020-05-09T18:41:23","slug":"morgan-ogilvie","status":"publish","type":"page","link":"https:\/\/expo.calarts.edu\/2020\/morgan-ogilvie\/","title":{"rendered":"Morgan Ogilvie"},"content":{"rendered":"<div id=\"pl-1256\"  class=\"panel-layout\" >\n<div id=\"pg-1256-0\"  class=\"panel-grid panel-no-style\"  data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\"  data-ratio=\"1\"  data-ratio-direction=\"right\" >\n<div id=\"pgc-1256-0-0\"  class=\"panel-grid-cell\"  data-weight=\"1\" >\n<div id=\"panel-1256-0-0-0\" class=\"so-panel widget widget_headline-widget panel-first-child panel-last-child\" data-index=\"0\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\t\t<h1>Morgan Ogilvie<\/h1>\n\t\t<div class=\"decoration\"><div class=\"decoration-inside\"><\/div><\/div>\n\t\t<h3>MFA 2 - Art<\/h3>\n\t\t<\/div>\n<\/div>\n<\/div>\n<div id=\"pg-1256-1\"  class=\"panel-grid panel-no-style\"  data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\"  data-ratio=\"1\"  data-ratio-direction=\"right\" >\n<div id=\"pgc-1256-1-0\"  class=\"panel-grid-cell\"  data-weight=\"0.5\" >\n<div id=\"panel-1256-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<h3 class=\"widget-title\">This is no dream<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<p><a href=\"https:\/\/www.instagram.com\/morganchristineogilvie\/?hl=en\"><img decoding=\"async\" class=\"alignnone  wp-image-948 lazyload\" data-src=\"http:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-150x150.png\" alt=\"\" width=\"79\" height=\"79\" data-srcset=\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-150x150.png 150w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-300x300.png 300w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram.png 512w\" data-sizes=\"(max-width: 79px) 100vw, 79px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 79px; --smush-placeholder-aspect-ratio: 79\/79;\" \/><noscript><img decoding=\"async\" class=\"alignnone  wp-image-948\" src=\"http:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-150x150.png\" alt=\"\" width=\"79\" height=\"79\" srcset=\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-150x150.png 150w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram-300x300.png 300w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/instagram.png 512w\" sizes=\"(max-width: 79px) 100vw, 79px\" \/><\/noscript><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"pgc-1256-1-1\"  class=\"panel-grid-cell\"  data-weight=\"0.5\" >\n<div id=\"panel-1256-1-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n<div class=\"so-widget-sow-editor so-widget-sow-editor-base\">\n<div class=\"siteorigin-widget-tinymce textwidget\">\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-1257 size-full aligncenter\" src=\"http:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/Still-1-Morgan-Ogilvie-Morgan-Ogilvie-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1454\" srcset=\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/Still-1-Morgan-Ogilvie-Morgan-Ogilvie-scaled.jpg 2560w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/Still-1-Morgan-Ogilvie-Morgan-Ogilvie-300x170.jpg 300w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/Still-1-Morgan-Ogilvie-Morgan-Ogilvie-1024x582.jpg 1024w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/Still-1-Morgan-Ogilvie-Morgan-Ogilvie-768x436.jpg 768w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/Still-1-Morgan-Ogilvie-Morgan-Ogilvie-1536x873.jpg 1536w, https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/Still-1-Morgan-Ogilvie-Morgan-Ogilvie-2048x1163.jpg 2048w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"pg-1256-2\"  class=\"panel-grid panel-no-style\"  data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;,&quot;cell_alignment&quot;:&quot;flex-start&quot;}\"  data-ratio=\"1\"  data-ratio-direction=\"right\" >\n<div id=\"pgc-1256-2-0\"  class=\"panel-grid-cell\"  data-weight=\"1\" >\n<div id=\"panel-1256-2-0-0\" class=\"so-panel widget widget_siteorigin-panels-postloop panel-first-child panel-last-child\" data-index=\"3\" data-style=\"{&quot;background_image_attachment&quot;:false,&quot;background_display&quot;:&quot;tile&quot;}\" >\n\t<div id=\"vantage-grid-loop\" class=\"vantage-grid-loop grid-loop-columns-4\">\n\t\t\t\t\t<article class=\"grid-post post-559 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/eyvind-kang\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/eyvind-kang\/\">Eyvind Kang<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>A class album and some videos Nina Flagg, Medusa<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-1251 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/don-nguyen\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/don-nguyen\/\">Don Nguyen<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Portfolio https:\/\/donnewin.weebly.com\/ &nbsp;<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-474 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/christine-lee\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/christine-lee\/\">Christine Lee<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Happy Headroom \u201cHappy Headroom\u201d was part of my mid-residency show titled \u201cLiving Threads\u201d in February 2020. The immersive installation consisted of 4-channel video and sculptures. In this video, my mom and I perform rituals as a visceral process to create a dialogue between changing states of self and site. Hair, simultaneously dead and living, functions [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-527 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/daniel-rappaport\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/daniel-rappaport\/\">Daniel Rappaport<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Live Your Fantasy! Daniel L Rappaport is a CalArts alum (graphic design &#8217;01) and is a graduate of the FIDM\/Fashion Institute of Design and Merchandising (digital media &#8217;08). His ascendants are Walt Disney, Steve Jobs, and others, and he hails from the disgustingly famous Beverly Hills, CA. He has over 25 years of digital media [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t\t\t<article class=\"grid-post post-783 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/jiayu-zhang\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/jiayu-zhang\/\">Jiayu Zhang<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Unbuilt Door Unbuilt Door is a collaborative sound installation between Jiayu Zhang and Joana P. Cardozo during the emergency state of the COVID-19 pandemic in Spring 2020. Jiayu and Joana were studio neighbors at CalArts. This piece offers an imagination practice for the participants to visualize the border of their individual space. The participants are [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-519 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/emily-eisenstein\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/emily-eisenstein\/\">Emily Eisenstein<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>plasticity My clothes my hair my face my body. The way I look and the way I feel are at war with each other. A film about gender in isolation.<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-826 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/steve-weir\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/steve-weir\/\">Steve Weir<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Alleys The Alleys series documents a lesser-known casualty of the construction boom in Seattle\u2014alleyways. While they often carry a negative reputation, they are an integral part of the urban landscape.<\/p>\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t<article class=\"grid-post post-551 page type-page status-publish has-post-thumbnail hentry post post-with-thumbnail post-with-thumbnail-large\">\n\n\t\t\t\t\t\t\t\t\t<a class=\"grid-thumbnail\" href=\"https:\/\/expo.calarts.edu\/2020\/jennie-park\/\">\n\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t<h3><a href=\"https:\/\/expo.calarts.edu\/2020\/jennie-park\/\">Jennie Park<\/a><\/h3>\n\t\t\t\t<div class=\"excerpt\"><p>Three kinetic sculptures explore relationships between circularity\/co-opting\/recycling and linearity\/polarization\/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They\u2019re NOT \u201cvoting machines;\u201d they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested [&hellip;]\n<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/article>\n\t\t\t\t\t\t\t<div class=\"clear\"><\/div>\n\t\t\t\t\t<\/div>\n\n\t\t\t<nav id=\"nav-below\" class=\"site-navigation paging-navigation\">\n\t\t\t<h2 class=\"assistive-text\">Post navigation<\/h2>\n\n\t\t\t<div class='pagination'><span aria-current=\"page\" class=\"page-numbers current\">1<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1256\/page\/2\/\">2<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1256\/page\/3\/\">3<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1256\/page\/4\/\">4<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1256\/page\/5\/\">5<\/a>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1256\/page\/6\/\">6<\/a>\n<span class=\"page-numbers dots\">&hellip;<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1256\/page\/12\/\">12<\/a>\n<a class=\"next page-numbers\" href=\"https:\/\/expo.calarts.edu\/2020\/wp-json\/wp\/v2\/pages\/1256\/page\/2\/\">Next &raquo;<\/a><\/div>\n\n\t\t<\/nav><!-- #nav-below -->\n\t\t<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Three kinetic sculptures explore relationships between circularity\/co-opting\/recycling and linearity\/polarization\/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They\u2019re NOT \u201cvoting machines;\u201d they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1513,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"disable_featured_image":false,"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Morgan Ogilvie - CalArts Expo 2020<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/expo.calarts.edu\/2020\/morgan-ogilvie\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Morgan Ogilvie - CalArts Expo 2020\" \/>\n<meta property=\"og:description\" content=\"Three kinetic sculptures explore relationships between circularity\/co-opting\/recycling and linearity\/polarization\/binary-ness, and how personal agency or positionality intersects with these linked mechanics. (They\u2019re NOT \u201cvoting machines;\u201d they reflect the operation of many large systems, frameworks and conversations, e.g., the relationship between the DIY ethos and capitalism, between the political far left and far right, and among nested [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/expo.calarts.edu\/2020\/morgan-ogilvie\/\" \/>\n<meta property=\"og:site_name\" content=\"CalArts Expo 2020\" \/>\n<meta property=\"article:modified_time\" content=\"2020-05-09T18:41:23+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/Screen-Shot-2020-05-08-at-4.52.09-PM.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1194\" \/>\n\t<meta property=\"og:image:height\" content=\"678\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/expo.calarts.edu\/2020\/morgan-ogilvie\/\",\"url\":\"https:\/\/expo.calarts.edu\/2020\/morgan-ogilvie\/\",\"name\":\"Morgan Ogilvie - CalArts Expo 2020\",\"isPartOf\":{\"@id\":\"https:\/\/expo.calarts.edu\/2020\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/expo.calarts.edu\/2020\/morgan-ogilvie\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/expo.calarts.edu\/2020\/morgan-ogilvie\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/Screen-Shot-2020-05-08-at-4.52.09-PM.png\",\"datePublished\":\"2020-05-08T20:57:24+00:00\",\"dateModified\":\"2020-05-09T18:41:23+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/expo.calarts.edu\/2020\/morgan-ogilvie\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/expo.calarts.edu\/2020\/morgan-ogilvie\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/expo.calarts.edu\/2020\/morgan-ogilvie\/#primaryimage\",\"url\":\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/Screen-Shot-2020-05-08-at-4.52.09-PM.png\",\"contentUrl\":\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/05\/Screen-Shot-2020-05-08-at-4.52.09-PM.png\",\"width\":1194,\"height\":678},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/expo.calarts.edu\/2020\/morgan-ogilvie\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/expo.calarts.edu\/2020\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Morgan Ogilvie\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/expo.calarts.edu\/2020\/#website\",\"url\":\"https:\/\/expo.calarts.edu\/2020\/\",\"name\":\"CalArts Expo 2020\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/expo.calarts.edu\/2020\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/expo.calarts.edu\/2020\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/expo.calarts.edu\/2020\/#organization\",\"name\":\"CalArts Expo 2020\",\"url\":\"https:\/\/expo.calarts.edu\/2020\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/expo.calarts.edu\/2020\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/01\/cropped-CA-Expo2020_Logo-01-1.png\",\"contentUrl\":\"https:\/\/expo.calarts.edu\/2020\/wp-content\/uploads\/sites\/4\/2020\/01\/cropped-CA-Expo2020_Logo-01-1.png\",\"width\":1250,\"height\":1250,\"caption\":\"CalArts Expo 2020\"},\"image\":{\"@id\":\"https:\/\/expo.calarts.edu\/2020\/#\/schema\/logo\/image\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Morgan Ogilvie - CalArts Expo 2020","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/expo.calarts.edu\/2020\/morgan-ogilvie\/","og_locale":"en_US","og_type":"article","og_title":"Morgan Ogilvie - CalArts Expo 2020","og_description":"Three kinetic sculptures explore relationships between circularity\/co-opting\/recycling and linearity\/polarization\/binary-ness, and how personal agency or positionality intersects with these linked mechanics. 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